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The blues ended up hurting my soul, so I stopped it.”įinally, after failing to persuade the others to give all the band’s earnings to charity, Green quit the group, forcing Spencer and Kirwan to the fore. But then it got much too deep for me and I got lost. There’s levels that most people, including me, never got anywhere close to. The Blues is something you spend a lifetime in, and you have to understand it to play it. In a much later interview, he explained: “The Blues was too deep, it got too painful. ‘Then Play On’ featured material by Green and Kirwan in equal measure, with increasing focus on their guitar interplay and instrumental jamming, as the band’s style developed towards a “Progressive Rock” sound, but the hyper-sensitive Green’s mental stability was already starting to suffer. ” In effect Jeremy only played on one track of that album – he contributed piano to “Oh Well Part II” – but though the musical chameleon recorded five tracks of excellent and accurate parodies intended for a bonus EP, they never saw release at the time.
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But with us he would only move at his own speed. He was a music fanatic – I’m sure of that. “But I was never sure if the reason why he didn’t join in more was that he wouldn’t, or he couldn’t. “ Jeremy wouldn’t learn any of my songs,” Green complained. By this time, Fleetwood Mac boasted a precocious new talent, ex Boilerhouse guitarist Danny Kirwan, who’d been brought into the line-up to support and accompany Green, as the divide between Peter and Jeremy Spencer widened irreparably. ‘Then Play On’ was released as their fourth album, shortly after Blue Horizon’s compilation LP ‘The Pious Bird Of Good Omen’ which contained singles, tracks from earlier albums, and two songs with US Bluesman Eddie Boyd. Mac manager Clifford Davis sought a new contract for the band, and they signed with Warner Reprise, where you can still find them today.
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The group had already left Blue Horizon to cut ‘Man Of the World’ for Andrew Oldham’s Immediate label, and though the single had been a great success, the label itself was failing. A collection of jams, out-takes, and previously unreleased tracks, simply titled “The Original Fleetwood Mac,” it’s the last and surprisingly also the best of their Blue Horizon releases. It’s normal practice for bands to bring out their greatest albums while they’re still together, but Fleetwood Mac perversely managed to issue theirs after half the band had left. Though a pair of mediocre releases in the '90s threatened to end the band's career with a whimper, The Dance (1997) restored Buckingham and Nicks to the fold and dusted the cobwebs off Fleetwood Mac's rich legacy.“The Original Fleetwood Mac” – Fleetwood Mac From the giddy, self-deprecating "Second Hand News" to the achingly beautiful "Gold Dust Woman," the album is painfully intimate - and that's precisely what gives it power. Witness Rumours, to this day one of the top ten best selling albums of all time. Though incestuous liaisons within the group threatened to tear it apart, these also sparked some of the band's greatest material. In Buckingham the band acquired a prodigious guitar talent and a gifted lyricist whose occasionally daffy sensibilities nicely complemented the tender intimacies of Nicks and McVie. It wasn't until Mick Fleetwood, John McVie, and Christine McVie enlisted the services of soft-rock duo Stevie Nicks and Lindsey Buckingham that the band took on its definitive form. A band with a long and convoluted history, Fleetwood Mac was originally conceived as a heavy blues outfit in the tradition of John Mayall and the Bluesbreakers.